(Source: longdogunderfoot, via captainofthehighseas)

(Source: thesocket, via starletharlotqueenofconeyisland)

gogoatt:

Pokemon Spectrum | by gogoatt

(via ughkoolaid)

(Source: bangurzzzz, via ughkoolaid)

"One, two, Freddy’s coming for you. Three, four, better lock your door. Five, six, grab your crucifix. Seven, eight, gonna stay up late. Nine, ten, never sleep again."

A Nightmare on Elm Street (1984) (x)

(Source: vintagegal, via ughkoolaid)

digatisdi:

champagne-and-accordions:

WHO REMEMBERS THESE BECAUSE I JUST FOUND A BIG BOX AT WORK AND NOW THEYRE MINE

LET’S PLAY WITH THEM IN A PILLOW FORT

digatisdi:

champagne-and-accordions:

WHO REMEMBERS THESE BECAUSE I JUST FOUND A BIG BOX AT WORK AND NOW THEYRE MINE

LET’S PLAY WITH THEM IN A PILLOW FORT

(via taberweber)

(Source: apocalypse-polakiewicz, via taberweber)

(via fuckyeahaliceglass)

(via fuckyeahaliceglass)

challenger23:

"Higher, higher!"
Hard to believe it’s been a year since I made this. It was from an old black and white Band-Aid commercial that used this effect when the kids were injured while playing. I put the color bands on and posted it. 
The cool part of this wasn’t just the notes, but that Dain Fagerholm (one of my favorite tumblr artists) contacted me to point out that this is a visual example of multiplexing. 
I could stare at this forever.

challenger23:

"Higher, higher!"

Hard to believe it’s been a year since I made this. It was from an old black and white Band-Aid commercial that used this effect when the kids were injured while playing. I put the color bands on and posted it. 

The cool part of this wasn’t just the notes, but that Dain Fagerholm (one of my favorite tumblr artists) contacted me to point out that this is a visual example of multiplexing

I could stare at this forever.

dopecheftv:

www.dopechef.co.uk

dopecheftv:

www.dopechef.co.uk

(Source: chefldn)